Godzilla, Mothra and King Ghidora (2001) Review

Giant Monsters All-Out Attack aka Godzilla: GMK

A darker take than usual in the Godzilla series of movies that adds a spiritual aspect to Japan’s battles with the giant lizard. While highly flawed, this is my second favorite Godzilla movie and only eclipsed by the original Gojira. It is the only other Godzilla movie in my collection other than the original and I purchased it from Hong Kong it was unavailable in the US at the time . That has since changed.  It also can be watched online at Crackle.com. UPDATED: April 2012. UPDATED again September 2014 with Blu-ray details and HD screen captures.

Toho Studios gave Shusuke Kaneko, the director of the competing rebooted Gamera trilogy, a shot at reinterpreting Godzilla and this production hit Japanese theaters in late 2001.  Domestically it was the most successful of the Millennium series of Godzilla movies. Yes, there have been so many films of the big ‘G’ that they are actually broken into subsets by era. GMK is a direct sequel to the 1954 movie and ignores all the others.

The movie begins with the most boring of settings, a classroom. This one is filled with Japanese naval officers being lectured by Admiral Tachibana (Ryudo Uzaki) about the only battle fought by the Japanese Self Defense Force.  That battle was in 1954 against the giant monster Godzilla and was a great victory for the JSDF.  Huh?  Wasn’t the radioactive menace killed by the Oxygen Destroyer? Something’s fishy here.

As the lecture goes on, mention of a giant monster attacking New York and possibly being identified as Godzilla occurs. This leads to a humorous slam against the 1998 American Godzilla movie during a discussion by two junior officers. One asks if it really was Godzilla. The other replies: “Experts in America say it was, but Japanese ones disagree.”

Godzilla 2014 In Theater Review

It is said that it is better late than never and I hope that applies to this review, not to mention the movie. If it weren’t for the local theater in the small town of Spring Grove, I wouldn’t have gotten to see the new Godzilla on the big screen at all. Happily I can report the film is good and worth of the name.

Showing influences from more than just the Godzilla franchise, the film contains elements borrowed from Rodan, Cloverfield, Battle Los Angeles, and even the abominable previous Hollywood attempt from 1998. Oh what a difference proper execution and intelligent usage of those concepts make!

Since I’m late to the party, I’ll start off be addressing some of the criticisms of the film. Might as well take the bull by the horns before extolling the virtues of the piece.

Godzilla: Tokyo SOS (2003) Review

A muddled mess of a Godzilla film that is a direct sequel to 2002’s much better Godzilla vs. Mechagodzilla this is probably the worst of the Millennium series. A weak script that links back to the original Mothra makes it more of little kids movie ala the 1970s entries. UPDATED with “HD” screen captures and Blu-ray details.

When I was a kid growing up, often there would be showings of Godzilla films on broadcast TV, usually Saturday night at 10:30 or in the afternoon. It dawned on me it might be fun to review some of the monster destroying cities films for the blog. So I chose Godzilla: Tokyo SOS as a guinea pig for this project.  I now regret that as I had to sit through the film twice like I do for every review.  Yes, you’ve been warned. Be afraid.

The movie starts out promisingly enough, with a sequence of code showing Mechagodzilla’s DNA based computers being tested segueing to Godzilla’s eye opening in the depths of the Pacific Ocean. Moments later a US Air Force base picks up a UFO flying at high Mach speeds towards Japan and notify the local authorities.  Two F-15J Eagles are scrambled to intercept the UFO which has slowed to Mach 2 and is disturbing the cloud layer in a fairly decent CGI sequence.  Warning shots are fired ahead of the object without it reacting.  However, the lead pilot hears singing women and ground control doesn’t believe him.

The giant moth called… well, Mothra, emerges and the two jet fighters engage her with missiles.  Suddenly, the supersonic insect emits a golden cloud of glitter which fools the missiles into missing.  Who knew the beloved Japanese monster had chaff dispensers?

Godzilla 2000 (1999) Review

Radioactive Rage Month continues with the movie that started the Millennium series of Godzilla films. After the disappointing American attempt at Japan’s iconic monster, Toho Studios decided to bring the big galoot back years ahead of schedule. The hastily put together result was a messy mash up of ideas from previous decades, special effects experimentation, and the occasional spectacular scene.

Toho originally planned to make a new Godzilla movie for the 50th anniversary of the character in 2004, leaving the franchise temporarily in Hollywood’s hands. Though profitable, 1998’s Godzilla was a large disappointment. Consequently,ideas for a trilogy were scrapped. A mere year after that turkey posing as a kaiju skittered onto the silver screen, the real Godzilla returned to fight another monster on Japanese soil.

This review covers the American edited and dubbed release, one of the very rare ones to hit theaters in the States. It only made $10 million in North America, so it was here and gone again in the blink of an eye. There were some good reasons for this…

Godzilla (1998) Review

Radioactive Rage Month continues with the most controversial incarnation of Godzilla. When popcorn movie makers Roland Emmerich and Dean Devlin got their hands on the first American attempt at the world’s most famous giant lizard, a disaster of epic proportions unfolded much to the horror of onlookers. By that, I mean the audience, not the characters in the story.

DISCLAIMER: Due to repeated viewings of the subject matter, the author of this review may have suffered permanent brain damage and cannot be held accountable for any ranting, denials of reality, or other acts of insanity that follow.

The horror… the horror…

With the winding up of the Heisei era series of Godzilla films, Toho Studios licensed out the big green ‘G’ to star in a big budget Hollywood version. Multiple directors bailed on the project due to the constraint of keeping the budget to $100,000,000. Eventually Roland Emmerich (Universal Soldier, Independence Day, Stargate) agreed to make the movie for that amount as long as he was allowed to do whatever he wanted. Tristar agreed to the terms and production began.

This is what is commonly referred to as “a mistake.”

Heavily hyped to the public, high expectations were generated after the smash hit Jurassic Park proved that large lizards could be made to look both realistic and terrifying thanks to advances in computer generated (CG) effects. I remember it well, for speculation on message boards was rampant thanks to the rise of the Internet. Secrecy was maintained well during production and what little info leaked slowly began to worry long time Godzilla buffs.

We weren’t alarmed enough, it turned out. Time to gird my loins, abandon my sanity, and write this review.

The horror… the horror…

Gojira (1984) Review

aka The Return of Godzilla aka Godzilla 1985

Radioactive Rampage Month continues with Godzilla’s come back film from the 1980s. Ditching the continuity of all the previous films except the original 1954 classic, this movie featured much ballyhooed new technology and a more serious take marked a new beginning for the franchise. Introducing a bigger, badder, and more feral incarnation of giant lizard, it was a marked departure from the kids films of the 1970s.

When 1975’s Terror of MechaGodzilla performed badly at the box office, it marked the end of two decades of Godzilla flicks. Toho Studios shelved the franchise and years went by until a resurgence in domestic interest in the radioactive kaiju prompted them to develop a new film. Oh there had been proposals and treatments created in the interim, but being in the business of making money the execs wanted to make sure there would be an audience.

Taking advantage of the fading memories of the last film meant they could now move in a new direction with a starting point from the first film. What they came up with was a direct sequel to the 1954 movie and far more serious than the aliens invading using large monsters storyline rut of the ‘70s. However, elements of the prior silliness are still present in this overly verbose story filled with Cold War paranoia.

This review is of the original Japanese version. I’ve never seen the American cut with Raymond Burr and am forced to wonder whether or not his pipe co-starred with him again like in Godzilla, King of the Monsters.

King Kong vs. Godzilla (1963) Review

Radioactive Rage month begins with the one and only clash between cinemas two biggest stars. When bad driving releases Godzilla from an icy tomb, the only weapon that can stop him is the mighty King Kong! But can Japan survive the clash of two titanic monsters? More importantly, who will win the fight in this wildly uneven movie?

The 1960s had arrived and both King Kong and Godzilla were unemployed after a mere two feature films each. Neither had appeared in a widescreen or color movie thanks to disappointing and rushed sequels to smash hit debuts. In what is an eternity for a film franchise, the last appearance for each had been 1933 and 1955, respectively.

So when an American producer shopped an idea around for a new King Kong movie where he fights another giant, he was met by the sound of crickets chirping. However, Toho Studios decided to take on the project and work in Godzilla as the substitute villain for the piece. Returning to helm the film was Gojira director Ishiro Honda who had not been involved in the lackluster Godzilla Raids Again.

The end result was a monster romp of the likes that hadn’t been seen since the days of Universal’s teaming up of the Wolfman, Frankenstein’s Monster, and Dracula. Aimed squarely at being an action comedy rather than a horror film, it was nothing like its predecessors. However, a few moments of the old chills appear making it a transitory Godzilla film from serious horror science fiction to kids films.

Unfortunately, the original Japanese version is not available so this will be a review of the heavily edited American version just released on Blu-ray for the first time.

Radioactive Rage Month

To celebrate the upcoming new American Godzilla coming out in May, I’ll be writing as many Godzilla movie reviews as I can up to the release. Rather than tackling the entire series in order, I’ll be starting out with comeback movies by the big G. Over the past sixty years, the radioactive lizard has had more comebacks than Rocky Balboa as times have changed.

If I pull off all four reviews planned, I’ll see what else I can fit in. The four will be:

1. King Kong vs. Godzilla
2. The Return of Godzilla (aka Gojira aka Godzilla 1985)
3. Godzilla (1998 American)
4. Godzilla 2000

If you are a North American fan of the Godzilla, you should be aware that a slew of releases on Blu-ray are out or will be in May:

• King Kong vs. Godzilla
• Gozilla vs. Hedorah (aka vs. the Smog Monster)
• Godzilla vs. Gigan (aka Godzilla on Monster Island)
• Ebirah – Horror of the Deep (aka Godzilla vs. the Sea Monster)
• Godzilla vs. Destroyah/Godzilla vs. Megaguirus (Double Feature)
• Godzilla vs. King Ghidorah/Godzilla vs. Mothra (Double Feature)
• Godzilla vs. Mechagodzilla II/Godzilla vs. Space Godzilla (Double Feature)
• Godzilla: Final Wars/Godzilla: Tokyo S.O.S. (Double Feature)

Many of the Heisei era have never been released in widescreen or the original Japanese language versions over here, so it is a pretty big deal. Others have commanded premium prices due to the DVDs being out of production for a decade. Prices are around $13-15 each on Amazon and other e-tailers so it is quite the bargain.

Also coming out on Blu-ray to ride on G’s tail are King Kong Escapes and the original Gamera films, the latter in two volumes of four movies in their original Japanese cuts.

It’s a good time to be a kaiju fan!

A Monsterous Tease

The official teaser for the Godzilla remake just surfaced on YouTube and boy is it a dandy:

 

This has to be the most atmospheric take on the big G since the original Gojira. It looks absolutely stupendous, is filled with a sense of terrible dread, and only hints at what the monster looks like. Add in the music from astronaut Bowman's going through the Monolith to amp the tension and this might be a perfect example of how to tease a movie.

Yeah, this is my most anticipated film of 2014, bar none. Time to watch the teaser again.

Rodan (1956) (Review)

aka Sora no daikaijû Radon

Ishiro Honda and his crew from Gojira returned with another giant monster film after the mediocre results from another director on its sequel. More of a mystery movie than its predecessors, Rodan is a very different beast that features a more human driven storyline. You won’t find Godzilla in this movie, but Rodan did go on to costar with the more famous beast in multiple films after his destructive debut.

When the hastily put together Godzilla Raids Again disappointed, Toho came up with a new monster tale that kept the kaiju genre going. Better effects and the use of color injected life into the story about a mutated pteranodon and a group of coal miners. Succeeding at the box office in Japan, Radon winged its way over the Pacific as Rodan in the American edit a few years later. Both edits will be covered in this review, so let’s get going!

The movie opens with colorful credits accompanied by sinister music which is immediately identifiable as being in the same style as Gojira’s. Sure enough Akira Ifukube composed the score and it sets the tone for the entire film. Once the lengthy credits end we are introduced to the main setting of Mount Aso in Japan.

A mining community is starting its day with another shift of workers making their way into the mine. Harsh words exchanged between two miners escalates into a brawl between the two men, Goro and Yoshizo. Having been separated by their coworkers, the fight ends inconclusively before all head deep into the bowels of the earth to search for “black diamond.”

Later at the engineer’s office, we are introduced to our main protagonist, Shigeru Kawamura (Keni Sawara). A discussion of global warming melting the polar ice and endangering the world is interrupted by dire news – one of the tunnels has flooded. This is impossible according to the engineers, but that’s experts for you.

Of course when Shigeru arrives on the scene he finds a tunnel filled with water and further bad news that two miners are missing. I wonder which two? Yep, it’s the feuding ones and only one is found. The fact that Yoshizo is found floating face down and has been killed with something like a very sharp sword is a wee bit suspicious.

Godzilla vs Biollante (1989) Review

A surprising release on Blu-ray shows off the most experimental Godzilla film ever made in all its odd glory.Over the years, the radioactive goliath has fought and conquered other mutants, dinosaurs, giant insects, alien monsters, giant robots, and even King Kong. But nothing can prepare even an unstoppable force of destruction for the dangerous power of a giant rose bush. No, I’m not kidding.

Serious kaiju fans and kids of the 1970s will recall a dark period with no Godzilla movies coming out. This was horrifying to those of us who enjoy a good city trampling and so it was a big deal when Godzilla 1985 (or Return of Godzilla outside of North America) arrived in theaters. It did not do remotely as well as expected in the U.S.A., so the next film in the series had some trouble getting released here. It didn’t help it bombed in Japan, but it did truly begin the Heisei era of Godzilla.

That movie was Godzilla vs Biollante and it may be the closest thing to an art house movie in the long cinema career of the monster. Words are insufficient to describe how weird this movie is, even for a kaiju flick. Still, I am going to try my best.

Right off the bat, the movie crams a dense amount of information before the credits stop rolling. It starts with the oh so 1980s high tech computer text describing different levels of Godzilla alerts which are somewhat along the lines of severe weather bulletins. Next, a montage shows a condensed version of the events of the previous film which ended with Godzilla imprisoned in a volcano. When this and the credits end, we get to see a very blond and Anglo reporter covering the devastation in Tokyo. She’s also speaking in English with very large Japanese subtitles on screen.

Amidst the wreckage, a group of men in military gear and protection suits are looking for Godzilla cells. Why? It will get explained by the copious exposition in the movie. The big surprise is that they are all Americans speaking English and I had to pause playback for a moment to see if I had enabled the correct audio track. Yep, it was the Japanese one and I was still waiting to hear any Japanese.

Godzilla Raids Again (1955) Review

AKA Gigantis the Fire Monster (1959)

Released a mere six months after the unexpected smash hit, Gojira, this movie is a great example of how not to do a sequel. Too much human melodrama mixed with rushed special effects work marred the project and nearly ended the series. Yet it did serve to introduce the idea there were more giant monsters out there to be found which set the stage for many Toho kaiju movies to come. Also reviewed is the much inferior American edit that bafflingly renamed the famous monster!

What do you do when you have an unexpected hit that packed theaters? Why you rush a sequel into production, of course. The golden age of film making was very much about rushing product out while a property or actor was hot. In this case, it cost them the director of Gojira, Ishiro Honda, due to scheduling so Toho assigned Motoyoshi Oda the job of cranking it out. While it tried to be serious, it failed to be anywhere near the quality of its predecessor despite having a cast filled with actors that appeared in many an Akira Kurosawa movie.

The show begins with Godzilla’s now famous roar over the title superimposed on clouds. A different roar is heard near the end of the credits in a brief moment of cheap foreshadowing. So why clouds instead of the ocean the mutant lizard is associated with? Because our main character is a pilot, that’s why!

Shoichi Tsukioka, played by Hiroshi Koizumi in the first of many appearances in the series, makes a living as a spotter pilot for a large fishing company. Tasked with finding tuna and other fish from the sky, he spends part of his radio time flirting with the operator at headquarters. Not only is Hidemi Yamiji (Setsuko Wakayama) his girlfriend, but she is also the daughter of his boss.

Yes, the romance part of the movie has been joined already in progress. Don’t expect much more progress, though. Unlike the first movie, it is incidental to the plot, not part of it. Perhaps if it had been, the characters would have been more interesting.

In Defense of Fantasy and Sci-Fi B-Movies

In which I opine on the merits of B-movies of yesteryear, their decline, and how they haven’t really gone extinct.

Being a child of the 1970s, I was fortunate to grow up during a transitional period in cinema and before VCRs (along with cable television) changed how we see movies. The only places to see movies were at the theater and on broadcast, so a lot of very old movies were my main diet. Hey, movie tickets cost money even at the third run small town theater. Unlike other kids, it was rare to go out to see a badly faded and scratched print.

So I got to watch the badly faded and scratched prints cropped to television box format via the miracle of pan and scan. Most of the movies were much older than I was, so black and white flicks were watched nearly as much as color. Do not get me started on Ted Turner’s colorizing old films in the 1980s. The words “brain dead” would be the beginning of the rant which would veer into zombie killing at some point.

So what is a B-movie?

Godzilla, King of the Monsters (1956) Review

While Gojira was a serious film about the horrors of nuclear tests, Godzilla, King of the Monsters turned the Japanese original into a mere monster movie of the type so common during the 1950s. It isn’t without its charms, however. The spectacle of the title monster trashing Tokyo is complete and the human suffering that causes is still there to elevate this slightly beyond a normal B-movie. UPDATED August 2012 with better screencaps and expanded snark, err… text.

From the comprehensive booklet included in the 50th anniversary DVD release, we find how the American version came to be. Harold Ross and Richard Kay brought the film to America on the cheap to take advantage of the explosion in B-movies.  Described as “Hollywood bottom-feeders,” they had one problem with the movie – all the Japanese in it.  At the time, hatred of the Japanese was still strong ten years after World War II and a movie starring “Japs” couldn’t make money.

The solution was to shoot new material starring an American actor and splice it in.  About 20 minutes of the 80 minute movie would consist of the new scenes and insertions, heavily diluting the original story.  But that didn’t matter because audiences would be going to see the “King of Monsters” not the story. The result raked in $2 million and turned a tidy profit while making fans of Godzilla such as Gomer Pyle.

Now on to the review starring Raymond Burr and his pipe!

The Americanized version starts with the sound of explosive footfalls and the new title appears over the sea. In a jarring shift, the first scene of the movie is the devastated ruins of Tokyo in miniature.  A voice over narration by Raymond Burr begins while he makes his first appearance pinned under rubble.  After failing to free himself, he passes out.  Not an auspicious debut for the hero of the movie.

Gojira (Godzilla 1954) Review

In 1954, Gojira hit Japanese theaters and was a sensation that eventually spread world wide. For those who don’t know, Gojira is the original Japanese Godzilla movie that started the series. This first film is a serious movie, unlike nearly all the ones that followed. In 2004, Toho Studios decided to restore and remaster the epic for its 50th anniversary DVD release. So now that I have my hands on it, does it live up to its reputation as a classic? UPDATED:  August 2012 with expanded text and better screen captures.

As a kid, I grew up with the later Godzilla movies and it was not until I was a teenager that I saw the heavily recut American version of the film starring Raymond Burr. It turned out to be a pleasant surprise, being a darker and more serious story than I had expected. Once the Internet age dawned, I found out that it paled in comparison to the Japanese film it originated from, but there was no way to see it.

Years went by and then rumors of a New York City showing of the original movie for the 50th anniversary of Gojira got my attention. Hopes of a DVD release turned into reality thanks to ClassicMedia, but it ended up being out of my price range. Time went by and a sale at a Target in Indiana landed the very nice deluxe release in my hands. This review applies to it and to the discs in The Godzilla Collection also put out by the same folks.

The movie starts with a strident and bombastic theme by Akira Futabe that fits the tension that permeates the entire production. After the credits roll, an idyllic scene of a merchant ship’s crew relaxing on deck seems very serene.  A bright flash of light draws their attention to a strange glowing mass in the water. Another flash and the ship explodes into flames. The distress call of the Kingo Maru results in the Eiko Maru being sent to find it, whereupon it promptly sails into a glowing circle of water and explodes like the first ship.

Life or Something Approximating It

The past week was busy by my standards and this week looks to begin that way. Saturday and Sunday combined to make for a marathon run of events, so I am not feeling terribly good today. Two D&D sessions in a row contributed mightily to that, but at least we had one TPW (Total Party Wipeout). I did try to get the party killed in the first session, but the level five party managed to survive a mummy lord thanks to me and defeat a young adult green dragon that I attacked. He did have it coming after torturing my character, I must say.

I was rather surprised to be given the Diablo III Book of Cain hardcover by my friends hosting the second session. While I cannot yet afford the game, I always enjoyed the lore and storyline contained in the series which this book covers. It looks like it will be a fun read.

This, That, and the Other Thing

Things have been what I would classify as eventful since the weekend. Though in at least one case, more like eventful stalled – but more on that later. This is going to be a long post since I want to record the happenings for posterity. Hopefully it will not be too boring for other to read!

It all started with the celebration of a five year old’s birthday party. One of the families I home teach (explained here) is a young family with small children. The oldest one is a boy who has taken a shine to me for some inexplicable reason and is something of a problem child. Being very big and strong for his age, he is also very willful. He is also a miracle baby who should not exist according to doctors, for his mother was not supposed to be able to have children.

I have a code I live by that goes something like this: If a person who is not a moocher or leech attaches themselves to me, I feel an obligation to be as good a friend I can be to them. Now this is not a reluctant, foot dragging kind of “I have to do this” kind of feeling. Rather it is a sign to me that I need to make an effort and that the likelihood that God set this up is high.

So in this case, I have a little kid doing it and that is a first for me. It is also terrifying for a hopeless bachelor such as myself. While I am told I am good with children, my lack of experience with them makes it a very scary experience indeed. Maybe one day I will get past that, but not today.

What a Tsunami Does to a Nuclear Power Plant

Over at The Mainichi Daily News they have some amazing photos of the Fukushima No. 1 nuclear power plant being hit by the tidal wave. The car being throne up into the building is particularly impressive and give an idea of scale.  It truly shows how gigantic the wave was and it was amazing that events weren’t worse at the reactor – even as bad as they were. 

Looking at this and other articles there, I realized that I want to post about such events here and not on Facebook like I did in March. Things get lost there and aren’t easy to find again for posterity, since it is a very superficial place. Events like the devastation of Japan by the tsunami is not something to readily forget, but human memory is what it is and that is limited.

It will be interesting to see if I can divorce the reality of what happened there from the fantasy of Godzilla movies the next time I watch one. Watching the footage and viewing the photographs was surreal, because in a way I’d already seen things like that happen in Japan thanks to the movies.  These photos did not help with that and I wonder if I’ll be able to enjoy those films again.