Great Video on CG in Modern Movies

I have been known to complain about poor computer generated special effects in movies and also films that seem to exist only to bombard the audience with artificial imagery, so this video was of great interest during my browsing the Net today. Particularly fascinating is the usage of CG for things we don't even notice -- watch the whole thing. It may change your viewpoint. The final analysis is something I agree with and bless Rocket Jump for including Ray Harryhausen's work at the end.

Real versus CGI Special Effects

Over at BoingBoing I ran into this great post and discussion on old school special effects and what's been lost in changing over to CGI. The starting off point is Ray Harryhausen's wonderful work and things go from there. Rarely are comment threads worth reading on big sites, but this one has a lot of valid points being made.

Personally, I think CGI can be fantastic when used properly and devastating to the suspension of disbelief when poor. Part of that comes from accepting the unreal aspects of older stop motion or miniatures effects for what they are when we visually process them. So when something that is photorealistic doesn't move or behave correctly, the mind freaks out disproportionately. That's the Achilles heel of CGI and I just had that experience watching the trailer to The Hobbit: The Desolation of Smaug:

It looked pretty good until the scene with the elves in the trees chasing the dwarves in the barrels. Right there the fluidity did not match the rest of the image and jarred me out of full immersion. Quick cuts of real stuntmen would have worked much better, but the temptation of CGI leads to directors using it too much. And this is the work of one of the better CGI directors out there, Peter Jackson.

Motion capture is one way to ameliorate the effect, but so far nothing has completely fooled my eye in a movie. So I'm back to learning to forgive the limitations and hope my eyes eventually do too.

Ray Harryhausen Died

The master of visual effects Ray Harryhausen was 92. I recently was talking to a high school senior who surprised me because he was trying to remember films he loved as a kid to get on Blu-ray. Those films turned out to be Jason and the Argonauts and the Sinbad movies that were Harryhausen’s babies. I’d watched Clash of the Titans a few weeks back and thought to myself that it was the perfect swan song for his stop motion effects.

The movies he made were magic to me growing up and the creatures may have moved in jerky fashion, but they all had real personalities. In the end, that was the secret to Harryhausen’s success. Somehow he imbued his creations with a feeling that they had emotions in such a way that kids of all ages could instantly connect with them. It made the movies such a delight on a Saturday afternoon.

Ray may be gone, but his spirit remains. If you loved the cave troll in Fellowship of the Ring, that was a true homage in CGI of what he did. So many directors and special effects artists were inspired by him that he’ll never really be gone from cinema.

Now he’s off in the afterlife with his best friend Ray Bradbury probably coming up with some new wild idea to play with on a galactic scale.